tag:blogger.com,1999:blog-41723117027365074322024-03-24T12:05:28.172+01:00· Arte Paleocristiano ·· El Arte del Cristianismo Primitivo ·H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-4172311702736507432.post-85166080013907399332024-03-24T08:27:00.004+01:002024-03-24T12:04:55.842+01:00· Entrada Triunfal de Jesús el Cristo en Jerusalén · Altorrelieve del Sarcófago Paleocristiano de Junius Bassus (Junio Baso) · s. IV (ca. 359 d. JC.) · <p style="text-align: center;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UdxXxCw42DUgUvLCdiRypHDP2AnPcVyN3AJJhJNEJB3wMRN-B5RhLHYOv1US2_HY7OPboVoEz7gxbITDLUMGMZitj8rnRlZ5FZlUhq9Vls6GdrOuCBXYIUaCz7nO5ZNJfdQyKe2gZsqFB8s_mINNLxncy8w2mm4HA96vKKSmpfXhdOhSMUYwaDVIHSoT/s528/%C2%B7%20Entrada%20de%20Jes%C3%BAs%20el%20Cristo%20en%20Jerusalen%20%C2%B7%20Sarc%C3%B3fago%20Paleocristiano%20de%20Junio%20Baso%20%C2%B7%20s.%20IV%20%C2%B7%20Roma%20%C2%B7%20Wikipedia%202.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="525" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UdxXxCw42DUgUvLCdiRypHDP2AnPcVyN3AJJhJNEJB3wMRN-B5RhLHYOv1US2_HY7OPboVoEz7gxbITDLUMGMZitj8rnRlZ5FZlUhq9Vls6GdrOuCBXYIUaCz7nO5ZNJfdQyKe2gZsqFB8s_mINNLxncy8w2mm4HA96vKKSmpfXhdOhSMUYwaDVIHSoT/s16000/%C2%B7%20Entrada%20de%20Jes%C3%BAs%20el%20Cristo%20en%20Jerusalen%20%C2%B7%20Sarc%C3%B3fago%20Paleocristiano%20de%20Junio%20Baso%20%C2%B7%20s.%20IV%20%C2%B7%20Roma%20%C2%B7%20Wikipedia%202.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><span style="color: #351c75; font-family: georgia;">·<b><span style="font-size: large;"> <i>Entrada de</i> Jesús el Cristo <i>en Jerusalén</i> ·</span></b></span></div><div class="separator" style="clear: both;"><span style="color: #674ea7; font-family: georgia;"><b>· <i>Altorrelieve del</i> Sarcófago Paleocristiano de Junius Bassus ·</b></span></div><div class="separator" style="clear: both;"><span style="color: #073763; font-family: georgia;">· S. IV (ca. 359 d. JC.) · Roma ·</span></div><div class="separator" style="clear: both;"><span style="color: #073763; font-family: georgia;">Ubicado ahora en las <i>Grutas Vaticanas </i></span></div><div class="separator" style="clear: both;"><span style="color: #073763; font-family: georgia;">del <i>Museo del Tesoro de la Basílica de San Pedro</i> ·</span></div><div class="separator" style="clear: both;"><span style="font-family: georgia;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia;">«El <i>sarcófago de Junio Baso</i> [Junius Bassus] es <i>uno de los primeros sarcófagos en relieve de mármol que han sobrevivido con temas abiertamente cristianos</i>.» El "relieve figurativo" arriba mostrado es uno de los diez altorrelieves que muestra este sarcófago con escenas del Antiguo y Nuevo Testamento, considerado como «uno de los mejores sarcófagos paleocristianos conservados, no sólo por su valor histórico, …sino también artístico»<br /><br /><i style="color: #783f04;">Crédito imagen: </i><span style="color: #783f04;"><i>Gentileza de</i> </span><span style="color: #783f04;">"<a href="https://commons.wikimedia.org/wiki/Category:Sarcophagus_of_Junius_Bassus_-_Cast_in_Rome#/media/File:Copia_del_sarc%C3%B3fago_de_Junio_Basso_01.JPG" target="_blank">Wikipedia Commons</a>"</span></span></div><div><br /></div></div>H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comPiazza San Pietro, 00120 Città del Vaticano, Cdad. del Vaticano41.901199 12.453654813.590965163821153 -22.702595199999998 70.211432836178844 47.6099048tag:blogger.com,1999:blog-4172311702736507432.post-86965005843705981412024-02-17T13:45:00.003+01:002024-03-02T19:03:06.971+01:00· Cruz Paleocristiana: Estaurograma ( ⳨ ), Cruz Monogramática o Tau-Ro · s. IV-V d. JC. · Aquilea (Italia) ·<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguxd9QM6e6sL26orC9ZkMI7nmozxnSPZSn4_k8vmLHatqliTIdOkH4xN5892wn_AZoZJcDw68iU0V8QQAsSmInORMfk5f2jEe955S0iYqdDyEyv6_AH9LkEZVFGfxNUfJUMdDBeHZ2-evtquCN1yzc_EZtt-C_2Tf9qJ4YqgRuCfIkZPgVoSd1cLsZ72QD/s2406/CRUZ%20MONOGRAMA%20s.%20IV%20-%20V%20d.%20JC.%20%C2%B7%20Museo%20de%20Historia%20del%20Arte%20de%20Viena.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2406" data-original-width="1965" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguxd9QM6e6sL26orC9ZkMI7nmozxnSPZSn4_k8vmLHatqliTIdOkH4xN5892wn_AZoZJcDw68iU0V8QQAsSmInORMfk5f2jEe955S0iYqdDyEyv6_AH9LkEZVFGfxNUfJUMdDBeHZ2-evtquCN1yzc_EZtt-C_2Tf9qJ4YqgRuCfIkZPgVoSd1cLsZ72QD/w522-h640/CRUZ%20MONOGRAMA%20s.%20IV%20-%20V%20d.%20JC.%20%C2%B7%20Museo%20de%20Historia%20del%20Arte%20de%20Viena.png" width="522" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #7f6000;"><span style="font-family: georgia; font-size: medium;"><b>· Cruz Paleocristiana: </b></span><span style="text-align: left;"><span style="font-family: georgia; font-size: medium;"><b>Estaurograma ( ⳨ ), </b></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #7f6000;"><span style="text-align: left;"><span style="font-family: georgia; font-size: medium;"><b>Cruz Monogramática </b></span></span><span style="text-align: left;"><span style="font-family: georgia; font-size: medium;"><b>o Tau-Ro ·</b></span></span><b style="font-family: georgia; font-size: large;"> </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="color: #660000;">· s. IV-V d. JC. · Aquilea (Italia) ·</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><span style="color: #660000; font-family: georgia;"><b><i><a href="https://www.khm.at/objektdb/detail/69863/?offset=128&lv=list" target="_blank">Kunsthistorisches Museum</a></i></b></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #660000; font-family: georgia;">(Museo de Historia del Arte de Viena)</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia; font-size: medium;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia; font-size: medium;"><b><br /></b></span></div><br /><span style="font-family: georgia;"><i>Cruz Paleocristiana </i>conocida por su morfología como <b><i>Cruz Monogramática, Estaurograma</i></b> o <b>Tau-Rho</b>, pues está conformada por estas dos letras del alfabeto griego: la <b>Tau </b>(<b>T</b> en griego antiguo ταῦ) y, sobre ella, la parte superior de la <span style="text-align: justify;"><i>d</i></span><i>ecimoséptima letra del alfabeto griego </i><b>Ro </b>(o Rho<i>) </i><b>Ρ</b>, ρ (en minúscula).<br /><br />En la ilustración puede observarse la excelente conservación de esta<i> Cruz Monogramática</i> con una pátina uniforme de color gris verdoso, y de <i>las dos letras griegas</i> </span><span style="font-family: georgia; text-align: justify;">A y </span><span style="font-family: georgia;">ω, que sujetas por sendos ganchos forjados en forma de ocho, penden del brazo horizontal de la Tau. <br /></span><span style="font-family: georgia; text-align: justify;">La primera y la última letra del alfabeto griego, recuerdan las palabras del texto bíblico: “<i>Yo soy el Alpha y la Omega, principio y fin, dice el Señor, que es y que era y que ha de venir, el Todopoderoso"</i>. </span><span style="font-family: georgia; text-align: justify;">(Apocalipsis 1:8 RVA).</span><span style="font-family: georgia;"><br /><br />Todo el conjunto es de bronce. Se desconoce la ubicación original de esta cruz. Al parecer fue </span><span style="font-family: georgia; text-align: justify;">descubierta en el siglo XIX mientras se araba un viñedo de un monasterio.</span><div><div style="text-align: justify;"><span style="font-family: georgia;"><br /></span></div><div style="text-align: justify;"><div><span style="color: #783f04;"><span style="font-family: georgia;"><i>Crédito imagen: </i>Gentileza de </span><b style="font-family: georgia; text-align: left;"><i><a href="https://www.khm.at/objektdb/detail/69863/?offset=128&lv=list" target="_blank">Kunsthistorisches Museum</a>, </i></b></span></div><div><span style="color: #783f04; font-family: georgia; text-align: center;">(Museo de Historia del Arte de Viena)</span></div><div><span style="font-family: georgia; text-align: center;"><br /></span></div></div><div><div style="text-align: justify;"><br /></div></div></div>H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comMaria-Theresien-Platz, 1010 Wien, Austria48.2038016 16.361787419.893567763821153 -18.7944626 76.514035436178844 51.5180374tag:blogger.com,1999:blog-4172311702736507432.post-77030708939833293822024-01-03T12:29:00.003+01:002024-01-03T12:35:20.951+01:00· Epifanía en el Arte Paleocristiano (4) · La Adoración de los Magos · s. IV d. JC. · Museo Pío Cristiano ·<p style="text-align: center;"> </p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b><span style="font-size: medium;">· </span><span style="font-size: large;"><a href="https://escritosdelcristianismoprimitivo.com/Arte-Paleocristiano/" target="_blank">Epifanía en el Arte Paleocristiano</a> </span><span style="font-size: medium;">·</span></b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia; font-size: medium;"><b><br /></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><b>"</b><b>Y COMO fué nacido Jesús en Bethlehem de Judea en días del rey Herodes, </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><b>he aquí unos magos* vinieron del oriente á Jerusalem"</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b> </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="font-weight: bold;"> Mt 2:1 RVA</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b><br /><div style="text-align: justify;"><div><span style="text-align: center;"><span style="color: #cc0000;"><b>*</b></span><span style="color: #783f04;">«</span></span><span style="color: #783f04;">MAGO es un vocablo que nos llega a través del latín "<i>magus</i>", que la toma del griego "μάγος", y este, en última instancia, del persa "<i>magi</i>".»</span></div><span style="color: #783f04;"><br /></span></div><div style="text-align: justify;"><span style="color: #783f04;"><span style="text-align: center;">«</span>Así pues, los "</span><span style="color: #783f04;"><i>magi</i></span><span style="color: #783f04;">" o Reyes Magos que se mencionan en la Biblia (Mateo 2, 1-12) no son magos en el sentido actual de la palabra, sino </span><i style="color: #783f04;">sabios sacerdotes persas</i><span style="color: #783f04;"> que venían de Oriente gracias a sus <i>conocimientos astrológicos y místicos</i>.</span><span style="color: #783f04; text-align: center;">»</span></div><div style="text-align: justify;"><span style="color: #783f04; text-align: center;"><br /></span></div></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEUtViCPAH3CFIqheAAqGkCqUhPUNQGalWh_6OzOHUp7aBxsNvfqezvFpJFYo5chX-TUbFW301pi-tzXPEAc34Mjr2njE2k46CiA1VCnqyJ3nmFfbMs0inzUvhRfc9PoBVZ-NrmlNosfrl8nWFBaUsMydgq0qZKbD1WAg1SoAVyjQTAJ3PTZ5_uugL969v/s1024/%C2%B7%20Adoraci%C3%B3n%20de%20los%20Magos%20%C2%B7%20S.%20IV%20%C2%B7%20Museo%20P%C3%ADo%20Cristiano%20%C2%B7%20Museos%20Vaticanos%20%C2%B7.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="469" data-original-width="1024" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEUtViCPAH3CFIqheAAqGkCqUhPUNQGalWh_6OzOHUp7aBxsNvfqezvFpJFYo5chX-TUbFW301pi-tzXPEAc34Mjr2njE2k46CiA1VCnqyJ3nmFfbMs0inzUvhRfc9PoBVZ-NrmlNosfrl8nWFBaUsMydgq0qZKbD1WAg1SoAVyjQTAJ3PTZ5_uugL969v/w640-h294/%C2%B7%20Adoraci%C3%B3n%20de%20los%20Magos%20%C2%B7%20S.%20IV%20%C2%B7%20Museo%20P%C3%ADo%20Cristiano%20%C2%B7%20Museos%20Vaticanos%20%C2%B7.png" width="640" /></a></div></span></div><div class="separator" style="clear: both; text-align: center;"><b style="color: #990000; font-family: georgia; font-size: x-large;"> <span>· La Adoración de los Magos · </span></b></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><span><div class="separator" style="clear: both;"><b>· </b><i>Originalmente en la</i><b> <a href="https://es.wikipedia.org/wiki/Bas%C3%ADlica_de_Santa_In%C3%A9s_Extramuros" target="_blank">Basílica de Santa Inés Extramuros</a>,</b></div><div class="separator" style="clear: both;"><i>ahora en el </i><span style="font-weight: bold;"><a href="https://www.museivaticani.va/content/museivaticani/es/collezioni/musei/museo-pio-cristiano.html" target="_blank">Museo Pío Cristiano</a>, <i>Museos Vaticanos</i> ·</span></div><div class="separator" style="clear: both; font-weight: bold;">· Roma · s. IV d. JC ·</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><br /></div></span></span></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><br /></b></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia;"><i><span style="color: #783f04;">Crédito imagen</span></i><b><span style="color: #783f04;">:</span> </b></span><span style="color: #990000; font-family: georgia; text-align: center;">Jastrow (2006) · "<a href="https://es.m.wikipedia.org/wiki/Archivo:Adoration_magi_Pio_Christiano_Inv31459.jpg" target="_blank">Wikipedia Commons</a>"</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="color: #990000; font-family: georgia; text-align: center;"><br /></span></div>H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comWF42+CXX, 00120 Cdad. del Vaticano41.9061184 12.452483613.595884563821151 -22.7037664 70.216352236178835 47.6087336tag:blogger.com,1999:blog-4172311702736507432.post-87655039681762439872022-01-04T12:00:00.004+01:002022-01-06T06:36:19.353+01:00· Epifanía en el Arte Paleocristiano (3) · Mosaico de la Virgen, el Niño y los Tres Magos · Basílica de San Apolinar el Nuevo · Rávena, Italia · s. VI ·<p style="text-align: center;"><span style="color: #783f04; font-family: georgia; font-size: medium;"><b><br /></b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b><span style="font-size: medium;"> · </span><span style="font-size: large;"><a href="https://escritosdelcristianismoprimitivo.com/Arte-Paleocristiano/" target="_blank">Epifanía en el Arte Paleocristiano</a> </span><span style="font-size: medium;">·</span></b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia; font-size: medium;"><b><br /></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><b>"</b><b>Y COMO fué nacido Jesús en Bethlehem de Judea en días del rey Herodes, </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><b>he aquí unos magos* vinieron del oriente á Jerusalem"</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b> </b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><span style="font-weight: bold;"> Mt 2:1 RVA</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b><br /><div style="text-align: justify;"><div style="text-align: justify;"><span style="text-align: center;"><span style="color: #cc0000;"><b>*</b></span><span style="color: #783f04;">«</span></span><span style="color: #783f04;">MAGO es un vocablo que nos llega a través del latín "<i>magus</i>", que la toma del griego "μάγος", y este, en última instancia, del persa "<i>magi</i>".»</span></div><span style="color: #783f04;"><br /></span></div><div style="text-align: justify;"><span style="color: #783f04;"><span style="text-align: center;">«</span>Así pues, los "</span><span style="color: #783f04;"><i>magi</i></span><span style="color: #783f04;">" o Reyes Magos que se mencionan en la Biblia (Mateo 2, 1-12) no son magos en el sentido actual de la palabra, sino </span><i style="color: #783f04;">sabios sacerdotes persas</i><span style="color: #783f04;"> que venían de Oriente gracias a sus <i>conocimientos astrológicos y místicos</i>.</span><span style="color: #783f04; text-align: center;">»</span></div><div style="text-align: justify;"><span style="color: #783f04; text-align: center;"><br /></span></div></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b></span></div><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiB0Es8MTEtw29f-13X9HCwFSbd03nLY5KpcodH1GC2EjL-s3XVel_0btuI4M2GNP1RfVpERfWaxB7166OTa10lxHe_gy9iOO-_qXDVbcphVvH3tYlsjOPk0ci-SDE3H4ZBZf9t--H_67drY_7sMJTEB96PwrvfWHZDHJb2Fi-Tt28gnshtaT1M7N-XGw=s1280" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="367" data-original-width="1280" height="186" src="https://blogger.googleusercontent.com/img/a/AVvXsEiB0Es8MTEtw29f-13X9HCwFSbd03nLY5KpcodH1GC2EjL-s3XVel_0btuI4M2GNP1RfVpERfWaxB7166OTa10lxHe_gy9iOO-_qXDVbcphVvH3tYlsjOPk0ci-SDE3H4ZBZf9t--H_67drY_7sMJTEB96PwrvfWHZDHJb2Fi-Tt28gnshtaT1M7N-XGw=w648-h186" width="648" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia; font-size: large;"><b> <span>· Mosaico de la Virgen, el Niño y los Tres Magos · </span></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #990000; font-family: georgia;"><b><span style="font-size: medium;">· <i><a href="https://es.wikipedia.org/wiki/Bas%C3%ADlica_de_San_Apolinar_el_Nuevo" target="_blank">Basílica de San Apolinar el Nuevo</a></i></span></b><i> </i>·</span></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><span style="color: #990000;">· Rávena, <i>Italia</i> · S. VI d. JC. ·</span></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="font-family: georgia;">«</span></span><span style="font-family: georgia;">La Procesión de las Vírgenes recorre el muro izquierdo de la nave, justo encima de las columnas, encabezada por los tres Magos, que siguen a la Estrella de Belén mientras llevan sus regalos a la Virgen y el Niño en el extremo este del mosaico.</span><span style="text-align: center;"><span style="font-family: georgia;">»</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="font-family: georgia;"><br /></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="font-family: georgia;">«</span></span><span style="text-align: center;"><span style="font-family: georgia;">Al culminar la procesión, el Niño Jesús se sienta "entronizado" en el regazo de su madre. Como los ángeles, viste el atuendo tradicional del período tardo romano: una túnica interior con mangas ajustadas, una túnica exterior con rayas que van desde el hombro hasta el dobladillo y un palio, envuelto debajo del brazo derecho y sobre el hombro izquierdo. Su mano derecha está levantada mientras que su mano izquierda, posiblemente sosteniendo un pergamino, está cubierta por un pliegue en el palio. Este gesto deriva en última instancia de las imágenes clásicas de los filósofos, y toda la escena del trono es una revisión de la iconografía anterior en la que un Cristo adulto hizo gestos similares desde un trono propio. María redobla el gesto, signo de su participación en la misión de Cristo. Como una señal más de su importancia, usa los zapatos rojos y las vestimentas moradas de una mujer de la corte imperial.</span></span><span style="font-family: georgia; text-align: center;">»</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia; text-align: center;"><br /></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="font-family: georgia;">«</span></span><span style="font-family: georgia;">Los ángeles que flanquean el trono son una innovación del siglo VI; anteriormente, los santos habían sido invariablemente las figuras que flanqueaban el trono.</span><span style="font-family: georgia;">»</span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><span style="font-family: georgia;"><br /></span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: left;"><span style="font-family: georgia;">«</span></span><span style="font-family: georgia;">Las flores blancas que flanquean la base del trono son "Arabis de jardín" ("Arabis caucasica"), que es originaria del sureste de Europa y el Mediterráneo. También flanquean la base del trono de Cristo en el mosaico que enfrenta a Éste a través de la nave, y aparecen como elementos decorativos en cada extremo de un sarcófago paleocristiano en el suburbio de Classe en Rávena.</span><span style="font-family: georgia;">»</span></div><p></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: justify;"><span style="text-align: center;"><span style="font-family: georgia;">«</span></span><span style="font-family: georgia;">Las partes de los magos por encima de la cintura no son originales, sino una restauración del siglo XIX.</span><span style="text-align: center;"><span style="font-family: georgia;">»</span></span></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><br /></b></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia;"><i><span style="color: #783f04;">Crédito imagen</span></i><b><span style="color: #783f04;">:</span> </b><span style="color: #783f04;">Sharon Mollerus, "<a href="https://commons.wikimedia.org/wiki/Category:Byzantine_mosaics_in_Sant%27Apollinare_Nuovo_(Ravenna)#/media/File:Mosaics_of_Three_Magi_and_Virgin_and_Child,_Basilica_of_Sant'Apollinare_Nuovo,_Ravenna,_Italy_(6125345588).jpg" target="_blank">Wikipedia Commons</a>".</span></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia;"><span style="color: #7f6000;"><i>Crédito texto:</i> </span><span style="color: #783f04;">Extractos traducidos del texto en inglés de </span>"</span><span style="text-align: center;"><span style="font-family: georgia;"><i><a href="https://www.christianiconography.info/Edited%20in%202013/Italy/sApolNuovoLeftNave.virgThroneMagi.html" target="_blank">Christian Iconography</a></i>"</span></span></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><br /></b></div><div class="separator" style="clear: both; text-align: center;"><b style="font-family: georgia;"><br /></b></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi6818ftn18IHFNe_y6INi0TdRIgxrX4XWa1eYf6zo1MoEsUU3SWABXKZx-jmNuiofeFaFZbzTWWYZzVF3EeiPfntKSQKfcqH1niTXi2rUAxSKkJA1zCweXyBm8sH42bID0Opz_6wCuaHKDqp2ZG1_DwJQ9eL_3RV15mCJUuX5JhAtuzEAixC--osAakw=s800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="672" data-original-width="800" height="440" src="https://blogger.googleusercontent.com/img/a/AVvXsEi6818ftn18IHFNe_y6INi0TdRIgxrX4XWa1eYf6zo1MoEsUU3SWABXKZx-jmNuiofeFaFZbzTWWYZzVF3EeiPfntKSQKfcqH1niTXi2rUAxSKkJA1zCweXyBm8sH42bID0Opz_6wCuaHKDqp2ZG1_DwJQ9eL_3RV15mCJUuX5JhAtuzEAixC--osAakw=w523-h440" width="523" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #660000; font-family: georgia;"><b><span style="font-size: large;">· Los Tres Magos ·</span></b><br />· <i>Detalle del</i> <b>mosaico de la Basílica de San Apolinar el Nuevo </b>·<br /><b>· Rávena, Italia · S. VI d. JC. ·</b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: georgia;"><b><br /></b></span></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-family: georgia;"><div><span style="color: #a92626;"><span style="font-variant-caps: inherit; font-variant-ligatures: inherit;">«</span>La Procesión de las Vírgenes recorre el muro izquierdo de la nave, justo encima de las columnas, encabezada por <i>los tres Magos</i>, que siguen a <i><b>la Estrella de Belén</b></i> mientras llevan sus regalos a <i><b>la Virgen y el Niño</b></i> en el extremo este del mosaico.<br /><br />Los magos reciben aquí nombres y se diferencian por edad, <i><b>Balthasar</b></i> el hombre de mediana edad con cabello y barba negros, <b><i>Melchior</i></b> el joven imberbe y <b><i>Gaspar</i></b> con cabello y barba blancos. Este es un uso muy temprano de los tres nombres, que aparecen por primera vez en <i>una obra griega del siglo V</i>, <b><i><a href="https://gallica.bnf.fr/ark:/12148/btv1b84790083.image" id="" style="color: black;" target="_blank" title="https://gallica.bnf.fr/ark:/12148/btv1b84790083.image">Chronica Alexandrina</a></i></b> . La traducción latina más antigua conocida de esa obra, la <b><i><a href="https://en.wikipedia.org/wiki/Excerpta_Latina_Barbari" id="" style="color: black;" target="_blank" title="https://en.wikipedia.org/wiki/Excerpta_Latina_Barbari">Excerpta Latina Barbari</a></i></b> , no se escribió hasta unos 100 años después de este mosaico. </span></div><div><span style="color: #a92626;"><br />Como en algunas de las primeras imágenes de los magos, estos usan <i>gorros frigios</i> para significar su llegada desde el este.»<br /></span><br /></div><div style="font-family: Georgia, Georgia, serif; font-size: 12px; text-align: center;"><br /></div><div style="font-family: Georgia, Georgia, serif;"><span style="color: #783f04;"><em>Crédito imagen:</em> "<a class="cm_anchor" href="https://proxy.europeana.eu/22/_43?view=https%3A%2F%2Fcmc.byzart.eu%2Ffiles%2Foriginal%2Fmar%2Fmuseum_of_ravenna_cidm_archive%2F005_004_000043_01.jpg&disposition=inline&api_url=https%3A%2F%2Fapi.europeana.eu%2Fapi" rel="noreferrer noopener" target="_blank" title="https://proxy.europeana.eu/22/_43?view=https%3A%2F%2Fcmc.byzart.eu%2Ffiles%2Foriginal%2Fmar%2Fmuseum_of_ravenna_cidm_archive%2F005_004_000043_01.jpg&disposition=inline&api_url=https%3A%2F%2Fapi.europeana.eu%2Fapi">Europeana</a>". </span></div><div style="font-family: Georgia, Georgia, serif;"><em><span style="color: #783f04;">Crédito texto:</span></em> <span style="color: #7b3004;">Extractos traducidos del texto en inglés de "<span style="color: #4c3939;"><a href="https://www.christianiconography.info/Edited%20in%202013/Italy/sApolNuovoLeftNave.magi.html" target="_blank">Christian Iconography</a></span>"</span><br /></div></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><br /><p></p>H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comRávena, Italia44.4183598 12.203529416.108125963821152 -22.9527206 72.728593636178843 47.3597794tag:blogger.com,1999:blog-4172311702736507432.post-1193620562638901382021-01-08T18:08:00.001+01:002021-12-30T11:13:11.934+01:00· Epifanía en el Arte Paleocristano (2) · Fresco de la Capilla Griega de las Catacumbas de Priscilla ·<p style="text-align: center;"> </p><p style="text-align: center;"><span style="color: #cc0000; font-family: georgia; font-size: large;"><b>· Epifanía <i>en el </i>Arte Paleocristiano ·</b></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2WwP21IrfgZsReObM-xAqPKm5enAkOw3LhjAnqvdtmFp5fPEVz2tTby8bJh04qLIfSfpSsdYXh_Cu4Q7XyGJi_tGT4-MXrYPUdd3JZ1CzWq8hjH1xE7zdu9Zy9rJGVyRJGx99X-OeBTm9/s1920/%25C2%25B7Adoraci%25C3%25B3n+de+los+Tres+Reyes+Magos+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+s.+II+d.+JC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1276" data-original-width="1920" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2WwP21IrfgZsReObM-xAqPKm5enAkOw3LhjAnqvdtmFp5fPEVz2tTby8bJh04qLIfSfpSsdYXh_Cu4Q7XyGJi_tGT4-MXrYPUdd3JZ1CzWq8hjH1xE7zdu9Zy9rJGVyRJGx99X-OeBTm9/w640-h426/%25C2%25B7Adoraci%25C3%25B3n+de+los+Tres+Reyes+Magos+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+s.+II+d.+JC.jpg" width="640" /></a></div><p></p><p style="text-align: center;"><span style="color: #783f04;"> <span style="font-family: georgia;"><b>· La Adoración de los Magos · </b></span></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b>· Fresco de la <i>Capilla Griega</i> de las <i>Catacumbas de Priscilla</i> · Roma · s. II d. JC ·</b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b>· La más antigua representación artística conocida de <i>los Tres Hombres Sabios </i>·</b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b><br /></b></span></p><p style="text-align: center;"><span style="color: #783f04; font-family: georgia;"><b><br /></b></span></p>H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Salaria, 430, 00199 Roma RM, Italia41.9296221 12.508532413.619388263821158 -22.6477176 70.239855936178856 47.6647824tag:blogger.com,1999:blog-4172311702736507432.post-69193720378966209662019-09-04T16:09:00.001+02:002019-09-04T16:09:52.022+02:00· Arte Paleocristiano · El arte del cristianismo de los primeros siglos ·<div style="text-align: center;">
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<b><span style="font-family: Georgia, Times New Roman, serif;">· <a href="https://escritosdelcristianismoprimitivo.com/Arte-Paleocristiano/" target="_blank">Arte Paleocristiano · El arte del cristianismo de los primeros siglos</a> ·</span></b><br /><span style="font-family: Georgia, Times New Roman, serif; font-size: x-small;">· <i>Primera Parte</i> · <a href="https://www.academia.edu/40250876/_Arte_Paleocristiano_El_arte_del_cristianismo_de_los_primeros_siglos_Primera_parte_H.T._Elpizein_2019_" target="_blank">H.T. Elpizein</a>, 2019 ·</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comtag:blogger.com,1999:blog-4172311702736507432.post-73919155217202020512019-08-30T15:53:00.000+02:002019-08-30T16:22:33.421+02:00· Catacumbas de los Santos Pedro y Marcelino · Pintura mural, fresco, de Jesús Cristo, San Pedro y San Pablo ·<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><b>· Jesús Cristo flanqueado por San Pedro y San Pablo ·</b></span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i>· Fresco de las Catacumbas de los Santos Pedro y Pablo · </i>Roma, s. IV <i>·</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Es a partir del siglo IV cuando comienza a representarse a <i>Jesús Cristo</i> en el modo en que, con el tiempo, vendría a ser estereotipo: hombre maduro, con barba, pelo largo y serena y regia presencia. Un ejemplo de ello es este fresco de las <i>Catacumbas de los Santos Pedro y Marcelino</i> en Roma. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">En la parte superior de esta pintura mural se muestra a <i>Jesús Cristo</i> flanqueado, en primera instancia, por la primera y última letra del alfabeto griego, α/Α (alfa) y ω/Ω (omega), para indicar que Cristo es <i>principio y fin.</i><span style="color: #660000;">1</span><i> </i>Además, viendo de frente el mural, a su derecha el <i>Apóstol Pedro</i>; a su izquierda el <i>Apóstol Pablo</i>. <i> </i><br /><br />En la parte inferior del fresco, se hallan representados, de izquierda a derecha, los mártires <i>Tiburcio, </i><i>Marcelino</i>, <i>Gorgonio </i>y <i>Pedro </i>(exorcista del s. IV). En medio de ellos, <i>el Cordero,</i> como símbolo crístico.</span></div>
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<span style="color: #660000; font-family: "georgia" , "times new roman" , serif;">1 </span><span style="text-align: center;"><span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">Apocalipsis 22, 13 “<i>Yo soy Alpha y Omega, principio y fin, el primero y el postrero</i>.” </span></span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Casilina, 641, 00177 Roma RM, Italia41.8787143 12.54848889999993817.763101799999998 -28.760105100000061 65.9943268 53.857082899999938tag:blogger.com,1999:blog-4172311702736507432.post-5444709191465723022019-03-26T20:22:00.000+01:002019-03-26T20:27:12.171+01:00· Pintura mural de Santa Ana · Catedral de Faras (Baja Nubia - Sudán) ·<br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>· Pintura mural de Santa Ana de la Catedral de Faras </b>· <b>s. VIII e.c. </b>·</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Esta pintura mural, fresco seco <span style="color: #990000; font-size: x-small;">[1]</span>, es original de la antigua <i>catedral de Faras</i> "(<i>en griego: Παχώρας, Pakhôras; en latín: Pachoras; en nubio antiguo: Ⲡⲁⲣⲁ, Pará</i>)", antigua ciudad de la Baja Nubia, que estaba situada al sur de la actual frontera entre Egipto y Sudán y, desde 1964, <i>bajo las aguas del lago Nasser</i> tras construirse en la década de los 60 <i>la presa de Asuán</i>.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">La <a href="http://cyfrowe.mnw.art.pl/dmuseion/docmetadata?id=3242&show_nav=true" target="_blank">hermosa obra icónica</a> se encuentra actualmente en la "<i><a href="http://www.mnw.art.pl/kolekcje/galer/galeria-faras/" target="_blank">Galeria Faras</a></i>"<span style="font-size: x-small;"> <span style="color: #990000;">[2]</span></span> del <i>Museo Nacional de Varsovia </i>y muestra<i>,</i> junto a las demás que se hallaban en la catedral de Faras,</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><span style="color: #990000;">[3]</span></span><span style="font-family: "georgia" , "times new roman" , serif;"> el esplendor del </span><i style="font-family: georgia, "times new roman", serif;">primitivo arte cristiano nubio </i><span style="font-family: "georgia" , "times new roman" , serif;">que no esconde las marcadas influencias, maravillosamente aunadas, del </span><i style="font-family: georgia, "times new roman", serif;">arte copto</i><span style="font-family: "georgia" , "times new roman" , serif;"> y del </span><i style="font-family: georgia, "times new roman", serif;">arte bizantino.</i><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">La inscripción griega en la pintura, nos revela la identidad de la figura femenina representada:</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">"<b>Αννα η Μητηρ της Θεοτοκ</b>[ου]" - "<i>Ana Madre de la Madre de Dios</i>".<br /><br />Trátase pues de <i><b>Santa Ana</b></i> que es reseñada en algunos de los conocidos como "<i>Evangelios apócrifos</i>",<span style="color: #990000;"><span style="font-size: xx-small;">[4]</span> </span> como <b>l<i>a Madre de la Madre</i></b> - la Abuela - <i><b>de Jesús</b></i>.<br /><br />El singular y significativo gesto de la figura femenina, con el dedo índice de su mano derecha sobre sus labios, pareciera invitarnos a <i>guardar silencio</i> para ver, con los<i> grandes ojos del corazón</i>, lo que los sentidos y la razón adherida a ellos, no pueden percibir ni comprender.<br /><br /><span style="color: #783f04;">H. T. <i>Elpizein</i>,</span> <span style="color: #783f04;">marzo 2019.</span></span><br />
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<span style="color: #990000; font-family: "georgia" , "times new roman" , serif; font-size: xx-small;">[1]</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"> <span style="color: #ffe599;">Mientras "la </span></span><span style="text-align: center;"><span style="color: #ffe599; font-family: "georgia" , "times new roman" , serif; font-size: x-small;">pintura al fresco es la que se aplica sobre una pared preparada con un enlucido todavía húmedo y diluidos los colores con agua pura", en el modo "fresco seco", se realiza sobre el enlucido seco. </span></span><br />
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<span style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><span style="text-align: justify;"><span style="color: #990000;">[2]</span> <span style="color: #ffe599;">"</span></span></span></span><span style="color: #ffe599;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><i>La Galería Faras</i> es la única en Europa y la única exposición mundial de monumentos de la cultura y el arte de Nubia de la época cristiana. Fueron llevados a colecciones de museos gracias a los arqueólogos polacos que participaron en la década de 1960 con el patrocinio de la UNESCO de la gran acción internacional para rescatar los restos de las antiguas culturas del Valle del Nilo. Las ruinas bien conservadas de la catedral de la iglesia del siglo VIII se han descubierto gracias a la investigación llevada a cabo en el centro de la antigua ciudad de Faras, cerca de la frontera sudanés-egipcia." "67 pinturas de la época de los siglos VIII al XIV provienen de la iglesia catedral de los obispos de Faras, un gran centro urbano en el reino medieval de <i><a href="https://es.wikipedia.org/wiki/Nobatia" target="_blank">Nobadia</a></i>, en las zonas del actual Sudán. Alrededor del 548 e.c., los gobernantes de Nobadia, que controlaban los territorios entre la Primera y la Tercera Cataratas, recibieron el bautismo de manos de los misioneros enviados desde Constantinopla por la emperatriz Teodora. En el siglo VII en <i>Faras, entonces llamada Pachoras</i>, se erigió la primera catedral, probablemente en el mismo lugar donde en el siglo VIII se alzaba una iglesia descubierta por los arqueólogos polacos que participaban en la Campaña de Nubia. </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;">Fue una gran acción internacional de rescate - dirigida por el arqueólogo y egiptólogo polaco <i><a href="https://es.wikipedia.org/wiki/Kazimierz_Micha%C5%82owski" target="_blank">Kazimierz Józef Marian Michałowski</a></i> (1901 -1981) - de</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"> los monumentos de culturas antiguas, que fueron amenazadas con la inundación del </span><i style="font-family: georgia, "times new roman", serif; font-size: small;">Lago Nasser</i><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;">, un reservorio artificial que se iba a crear después de la finalización de la construcción de la Presa Alta en el Asuán egipcio. Las pinturas descubiertas por los arqueólogos polacos que trabajan en Faras fueron retiradas de las paredes por restauradores del <i>Museo Nacional de Varsovia</i> y desde 1972 se pusieron a disposición del público junto con elementos de la decoración arquitectónica de la catedral, así como otras iglesias y estructuras en Faras, epitafios del clero local. así como muchos hallazgos valiosos de esta posición, incluyendo vasijas de cerámica de talleres locales." · Texto en español sobre </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;">la "<a href="http://www.mnw.art.pl/kolekcje/galer/galeria-faras/" target="_blank">Galería Faras</a>"</span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"> </span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;">en la página web del "<i>Museo Nacional de Varsovia</i>".</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #990000; font-size: xx-small;">[3]</span></span><span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><span style="color: #990000;"> </span><span style="color: #ffe599;">Una parte de las obras y objetos rescatados en la antigua Catedral de Faras se encuentra en la <i>Galería Faras</i> del <i>Museo Nacional de Varsovia</i> y la otra en el <i>Museo Nacional de Sudán</i> en Jartum, su capital.</span></span><br />
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<span style="font-size: x-small;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: xx-small;"><span style="color: #990000;">[4]</span> </span><span style="color: #ffe599;"><span style="font-family: "georgia" , "times new roman" , serif;">Concretamente en los "</span><i style="font-family: georgia, "times new roman", serif;">Evangelios de la Natividad del Señor</i><span style="font-family: "georgia" , "times new roman" , serif;">", tales como el "</span><i style="font-family: georgia, "times new roman", serif;">Protoevangelio </i><span style="font-family: "georgia" , "times new roman" , serif;">o</span><i style="font-family: georgia, "times new roman", serif;"> Libro de Santiago</i><span style="font-family: "georgia" , "times new roman" , serif;">" (ca. s. II e.c.) y el "<i>Evangelio del Pseudo Mateo</i>" (ca. s.VI e.c).</span></span></span><br />
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<span style="font-size: x-small;"><span style="color: #ffe599;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #ffe599; text-align: start;">Crédito imagen: </span><span style="color: #783f04; text-align: start;">Pintura mural de Santa Ana de la Catedral de Faras. <i><a href="http://cyfrowe.mnw.art.pl/dmuseion/docmetadata?id=3242&show_nav=true" target="_blank">Museo Nacional de Varsovia.</a></i></span></span></span></span><br />
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comal. Jerozolimskie 3, 00-495 Warszawa, Polonia52.2315987 21.02479870000001950.3455777 18.443011700000021 54.1176197 23.606585700000018tag:blogger.com,1999:blog-4172311702736507432.post-14063385655609836212018-12-23T20:21:00.001+01:002021-12-30T11:12:22.683+01:00 · Epifanía en el Arte Paleocristiano (1) · Sarcófago dogmático: detalle de la Adoración de los Magos<br />
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<span style="font-size: small;"><span style="color: #ffd966;"><b><span style="font-family: "georgia" , "times new roman" , serif;">· Sarcófago dogmático: detalle de la Adoración de los Magos · Roma, s. IV e.c. ·</span></b></span></span></div>
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Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">El conocido como "Sarcófago dogmático", muestra característica de escultura paleocristiana, es "un sarcófago romano" del siglo IV e. c., "encontrado durante los trabajos de
reconstrucción de la Basílica de San Pablo Extramuros del siglo XIX".<span style="color: #990000;">*1</span><br /><br />En la imagen se muestra una parte del "registro inferior", de los dos con que cuenta el sarcófago, mostrando a "San José" <span style="color: #990000;">*2</span> "detrás de la Virgen, que está entronizada con
el Niño Jesús en su regazo, con los pies apoyados en una plataforma baja. Así
es como será representada en miles de imágenes de 'Madonna y el Niño'
en los siglos siguientes. En un toque de naturalismo, el Niño Jesús alcanza con
curiosidad el regalo del Primer Mago. Los Magos usan gorras frigias para demostrar
su origen en el este. El primero apunta a un conjunto de tres círculos en el
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<span style="font-size: x-small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #660000;"><span style="color: #990000;">*1 <span style="color: #660000;">"Wikipedia Commons".</span><br />*2</span> En otras referencias la figura se identifica como el Profeta Balaam.<br /><span style="color: #990000;">*3</span> Traducción al español del texto de "</span><a href="http://christianiconography.info/sicily/sarcDogmatic.magi.html" target="_blank">Christian Iconography</a>"<span style="color: #660000;">.</span><br /><span style="color: #ffe599;"> </span></span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #ffe599;">Crédito imagen:</span><a href="http://christianiconography.info/sicily/sarcDogmatic.magi.html" target="_blank"> http://christianiconography.info/sicily/sarcDogmatic.magi.html,</a></span></span>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-small;">bajo licencia</span><a href="https://creativecommons.org/licenses/by-nc-sa/3.0/deed.es_ES" target="_blank"><span style="font-size: x-small;"> (CC BY-NC-SA 3.0)</span></a></span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comtag:blogger.com,1999:blog-4172311702736507432.post-44774792133085326462017-12-20T13:17:00.000+01:002019-01-28T19:43:33.965+01:00· Catacumbas de Priscila - La Virgen María, el Niño, el Profeta y la Estrella ·<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWNunyStzM8SLUhj9kEtbaG8nA62CqaD9yHbZIOhatLAqzvxVy_u6HMWQAyDntwezOued9j1dw2C2j_nkK-bLgCXlH2zl8ySaa5B60O4c-4MfMt5rVl2Vzyw7xUBKgcMC6Z0HaVuNYOv77/s1600/Navidad+en+el+Cristianismo+Primitivo+%25C2%25B7+La+Virgen%252C+el+Ni%25C3%25B1o%252C+el+Profeta+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+Arte+Paleocristiano+%25C2%25B7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="285" data-original-width="200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWNunyStzM8SLUhj9kEtbaG8nA62CqaD9yHbZIOhatLAqzvxVy_u6HMWQAyDntwezOued9j1dw2C2j_nkK-bLgCXlH2zl8ySaa5B60O4c-4MfMt5rVl2Vzyw7xUBKgcMC6Z0HaVuNYOv77/s400/Navidad+en+el+Cristianismo+Primitivo+%25C2%25B7+La+Virgen%252C+el+Ni%25C3%25B1o%252C+el+Profeta+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+Arte+Paleocristiano+%25C2%25B7.jpg" width="280" /></a></div>
<div style="text-align: center;">
<span style="color: red; font-family: "georgia" , "times new roman" , serif; font-size: large;">· Navidad en el Cristianismo Primitivo · </span></div>
<div style="text-align: center;">
<span style="color: cyan; font-family: "georgia" , "times new roman" , serif; font-size: large;">· *La Virgen, el Niño, el Profeta, la Estrella · </span></div>
<div style="text-align: center;">
<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i>("la imagen más antigua conocida de la Virgen María con el Niño Jesús." )</i></span></div>
<div style="text-align: center;">
<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i></i></span></div>
<div style="text-align: justify;">
<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i>("nuestra Señora, sentada de frente al observador, mantiene al Niño entre sus brazos, mientras un profeta, quizá Balaam (Num 24, 15-17) , </i></span><span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i>parece tener un rollo en su mano izquierda -o quizás solo la mano abierta dirigida a la Virgen- y, </i></span><i style="color: #ffd966; font-family: Georgia, "Times New Roman", serif;">con la derecha, señala a una estrella.)</i></div>
<div style="text-align: center;">
<i><span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"></span></i></div>
<div style="text-align: center;">
<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"><i>("the oldest image in existence of the Virgin Mary")</i></span></div>
<div style="text-align: center;">
<b><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;">· </span><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"><i>Catacumbas de Priscila</i></span></b><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;">, Roma, s. II e.c. ·</span><br />
<span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh5udH_ZsgNAkk6YKYXsBOUxWdM_pOeT4ZVC8uvG2E_wkw2C4uwg65cXAZD833YYweD0DmkbRIU-aaiK0TZNTDbKWrb2u7Ui6Q7cDJH1jXmAZ2WRHtWRIKUMsylikx4grntdKrevho5U8C/s1600/%25C2%25B7+Arte+Paleocristiano+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+La+Virgen%252C+el+Ni%25C3%25B1o%252C+el+Profeta+y+la+Estrella+%25C2%25B7+%25282%2529.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="598" data-original-width="786" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh5udH_ZsgNAkk6YKYXsBOUxWdM_pOeT4ZVC8uvG2E_wkw2C4uwg65cXAZD833YYweD0DmkbRIU-aaiK0TZNTDbKWrb2u7Ui6Q7cDJH1jXmAZ2WRHtWRIKUMsylikx4grntdKrevho5U8C/s400/%25C2%25B7+Arte+Paleocristiano+%25C2%25B7+Catacumbas+de+Priscila+%25C2%25B7+La+Virgen%252C+el+Ni%25C3%25B1o%252C+el+Profeta+y+la+Estrella+%25C2%25B7+%25282%2529.png" width="400" /></a></div>
<span style="color: #cc0000; font-family: "georgia" , "times new roman" , serif; font-size: large;">· **La Virgen, el Niño, el Profeta, la Estrella · </span></div>
<div style="text-align: center;">
<span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">"Las catacumbas de Priscila son un cementerio romano-paleocristiano que se encuentra en la Via Salaria dentro de la ciudad de Roma. Se trata de uno de los cementerios romanos más antiguos que se han descubierto y conserva algunos frescos de especial importancia para la historia del arte, por ejemplo, las primeras representaciones de la Virgen María o de la Anunciación."</span><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"> · <i>Texto del artículo </i>"<a href="https://es.wikipedia.org/wiki/Catacumbas_de_Priscila" target="_blank">Catacumbas de Priscila</a>" <i>de "Wikipedia Commons". **</i>Imagen de<i> "<a href="https://commons.wikimedia.org/wiki/File:Primi_Presepi.jpg" target="_blank">Wikipedia Commons</a>"</i></span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">«...an image of the Virgin Mary with the Child Jesus on her knee; a prophet stands next to her, holding a scroll in his left hand, and pointing to a star with his right. This seems to refer to the prophecy of Balaam, “A star shall rise out of Jacob, and a scepter shall spring up from Israel” (Numbers 24, 15-17). The presence of the prophet indicates that the Child is the Messiah awaited for many ages.» · </span><span style="color: #b45f06; font-family: "georgia" , "times new roman" , serif;">*</span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="color: #b45f06;"><i>Image and text from</i> "</span><span style="color: #783f04;">The Niche with the oldest image in existence of the Virgin Mary</span><span style="color: #b45f06;">", </span></span><span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">"<a href="http://www.catacombepriscilla.com/visita_catacomba_en.html" target="_blank">CATACOMBE DE PRISCILLA</a>"</span></div>
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<span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"><b>Recorrido virtual </b>· <b><i><a href="https://www.google.com/maps/@41.9293053,12.5090837,2a,75y,109h,90t/data=!3m6!1e1!3m4!1ssfiLnF1scbgAAAQJOCH0Sw!2e0!7i13312!8i6656" target="_blank">Catacumbas de Priscila</a></i></b> · Google Maps</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Salaria, 430, 00199 Roma RM, Italia41.9296598 12.50859239999999816.6797618 -28.8000016 67.1795578 53.8171864tag:blogger.com,1999:blog-4172311702736507432.post-91973895511261450992012-12-30T10:00:00.000+01:002017-12-20T12:22:20.786+01:00· Catacumbas de San Calixto - Fresco ·<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #ffd966;"><b>· Moisés hace brotar el agua de la roca ·</b></span></div>
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<span style="color: #ffd966;">· Fresco de las <b><i>Catacumbas de San Calixto</i></b>, Roma · <i>Siglo IV e.c</i>.·</span><br />
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<span style="color: #783f04;">"LAS CATACUMBAS DE SAN CALIXTO"</span><br />
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<span style="color: #ffe599;">"Las Catacumbas de San Calixto empezaron a existir hacia la mitad del siglo II y forman parte de un complejo que ocupa una extensión de 15 hectáreas, con una red de galerías de casi 20 km. en distintos pisos, y alcanzan una profundidad superior a los 20 metros.</span></div>
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<span style="color: #ffe599;">En ellas se enterró a decenas de mártires, 16 Papas y muchísimos cristianos. Reciben su nombre del diácono San Calixto, designado a principios del siglo III por el Papa Ceferino como administrador del cementerio. De ese modo, las catacumbas de San Calixto se convirtieron en el cementerio oficial de la Iglesia de Roma.</span></div>
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<span style="color: #ffe599;">El cementerio subterráneo consta de distintas áreas. Las Criptas de Lucina y la zona llamada de los Papas y de Santa Cecilia son los núcleos más antiguos (siglo II)." · </span><span style="color: #783f04;">Texto de "<a href="http://www.catacombe.roma.it/es/" target="_blank">LAS CATACUMBAS CRISTIANAS DE ROMA</a>"</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Appia Antica, 110/126, 00179 Roma RM, Italia41.8608245 12.50875050000001916.6083205 -28.79984349999998 67.1133285 53.817344500000019tag:blogger.com,1999:blog-4172311702736507432.post-69138826118539268382012-11-12T22:00:00.000+01:002019-08-29T23:50:42.540+02:00· Catacumbas de Comodila- Cubiculum de León ·<div class="separator" style="clear: both; text-align: center;">
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<b style="color: #ffd966; font-family: georgia, "times new roman", serif;"> · Pintura mural </b><span style="color: #ffd966;"><b style="font-family: georgia, "times new roman", serif;">de </b><b style="font-family: georgia, "times new roman", serif;"><i>Jesús</i></b><b style="font-family: georgia, "times new roman", serif;"><i> Cristo</i> ·</b></span></div>
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<span style="color: #ffd966;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>· Cubiculum de León · </b></span></span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">· <b><i>Catacumba de Comodila</i></b>, Roma, final siglo IV e.c.</span></div>
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<span style="color: #ffd966;"> <span style="font-family: "georgia" , "times new roman" , serif;"> <b>· Cubiculum de León · </b></span></span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">· <b><i>Catacumba de Comodila</i></b>, Roma, final siglo IV e.c.</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Salaria, 430, 00199 Roma RM, Italia41.9296598 12.50859239999999816.677155800000005 -28.8000016 67.1821638 53.8171864tag:blogger.com,1999:blog-4172311702736507432.post-69447495594052996372012-11-12T20:00:00.000+01:002019-01-28T19:42:35.687+01:00· Mausoleo Galia Placidia- Mosaico Palomas ·<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"> · Mosaico · Palomas ·</span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"> · Mausoleo Galia Placidia, Rávena Italia, 425-450 e.C. ·</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia San Vitale, 17, 48121 Ravenna RA, Italia44.4209827 12.19710280000003919.1710847 -29.111491199999961 69.6708807 53.505696800000038tag:blogger.com,1999:blog-4172311702736507432.post-38758912840773542972012-11-11T22:00:00.000+01:002019-01-28T22:35:30.139+01:00· Catacumbas de Priscila - Galería ·<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #ffd966;"> <b>· Galería de las <i>Catacumbas de Priscila</i>, Roma, S. II-III e.C. </b></span><span style="color: #f1c232;">·</span></div>
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<span style="color: #f1c232;"><b style="color: #783f04; font-family: georgia, "times new roman", serif;">Recorrido virtual </b><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;">· </span><b style="color: #783f04; font-family: georgia, "times new roman", serif;"><i><a href="https://www.google.com/maps/@41.9293053,12.5090837,2a,75y,109h,90t/data=!3m6!1e1!3m4!1ssfiLnF1scbgAAAQJOCH0Sw!2e0!7i13312!8i6656" target="_blank">Catacumbas de Priscila</a></i></b><span style="color: #783f04; font-family: "georgia" , "times new roman" , serif;"> · Google Maps</span></span><br />
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia Salaria, 430, 00199 Roma RM, Italia41.9296598 12.50859239999999816.677155800000005 -28.8000016 67.1821638 53.8171864tag:blogger.com,1999:blog-4172311702736507432.post-74872364943882595662012-11-11T20:00:00.000+01:002019-01-28T19:38:28.003+01:00· Mausoleo Galia Placidia- Mosaico · El Buen Pastor ·<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "georgia" , "times new roman" , serif;"> <span style="color: #ffd966;"> · El Buen Pastor ·</span></span></div>
<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"> · Mausoleo Galia Placidia, Rávena, Italia, 425-450 e.C.·</span><br />
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia San Vitale, 17, 48121 Ravenna RA, Italia44.4209827 12.19710280000003919.1710847 -29.111491199999961 69.6708807 53.505696800000038tag:blogger.com,1999:blog-4172311702736507432.post-45625204949476381142012-11-11T19:00:00.000+01:002019-01-28T19:45:49.347+01:00· Catacumbas de Domitila · Pozo y Pila Bautismal ·<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;">· Pozo y Pila Baustismal ·</span></div>
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<span style="color: #ffd966; font-family: "georgia" , "times new roman" , serif;"> · Catacumbas de Domitila, Roma · ca. final s. III e.C. ·</span></div>
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H.T Elpizeinhttp://www.blogger.com/profile/05338137590879863309noreply@blogger.comVia delle Sette Chiese, 282, 00147 Roma RM, Italia41.858902099999987 12.50552619999996316.609004099999986 -28.803067800000036 67.1088001 53.814120199999962